Jim Thompson. our lovable bishop who ordained me deacon in London's East End, used to say that not a week went by without him wondering why he was still in the Church, and yet not a day or two without experiencing something of the amazing gifts which come with being a priest. I thought of this when I was reminded this week of the 25th anniversary of the passing of the ordination of women measure in the Church of England's General Synod. Writing in the Church of England Newsletter this week, Emma Percy, Chair of WATCH (Women and the Church) in the UK, commented pertinently about the joys then, and the achievements and frustrations since. As she reflects:
It is now 25 years later, almost half of my life, and the young people I work with have never known a Church of England without women priests... (now) part of culture appearing in TV, adverts, novels; both fictional and real examples. Yet, tensions over the role of women still continue in the church... The debates around women bishops meant that the church’s continuing uncertainty about really welcoming women into all orders of ministry was played out for the wider world to see. Sadly, this means that many younger people think the church is out of step with gender equality.
25 years on I rejoice that the church has benefited, and continues to benefit, from the priestly ministry of so many women. I rejoice in the ministry I have been able to have. I hope that we can continue to encourage women to serve in this way and that the Church of England will find ways to truly celebrate the momentous decision made 25 years ago.
Those are memories and reflections with which I concur. It is a mixed bag. Indeed, as my first grandchild comes to be baptised (in Christ Church Gosford) tomorrow, and in the wake of the Australian postal vote on marriage equality, it leaves me pondering: what will be the shape of the Church in another 25 years?...
As western society, in a few places, begins to admit (and hopefully address) some aspects of our own male violence and abuse, will we learn to recover old, and create new, stories and images of what matters? Among other aspects of the Songlines exhibition in Canberra, this came home to me again strongly as I was once more struck by the power of the female in ancient storytelling. The powerful moral and cosmological (Seven) Sisters stories for example are told in many ways in different places, including with strong resonances outside Australia (from where the number seven among the sisters may partly have arisen). In the west of Australia the sisters are thus called Minyipuru. As they travel east however, out of Marlu country into the lands of the Ngaanyatjarra and the Pitjantjatjara and Yankunytjatjarra, they become known as Kungkarrangkalpa and Kungkarangkalpa. The details profoundly matter of course, yet they also share so many common themes, not least those of women's survival, resilience and ingenuity in the face of male threat. For the sisters' journeys include pursuit by a male, also known in different places by different names. This man, to try to realise his lust and love, is a shape-shifter. So the story is partly a colourful battle of wits between the male and females, involving all kinds of subterfuges, adventures, and stratagems. Told as they have been for tens of thousands of years, these richly layered stories thus enable both men, and especially young women, to come to terms with our human needs and struggles: sharing a realistic portrayal of the interplay of desire and exploitation, power relationships and flexibility of action. Women are not idealised but their capabilities, and their weaknesses, are no longer buried. They, together with men, become active participants in their moral choices and aware nurturers of one another. As the Aboriginal women of the Songlines exhibition put it, in relation to the painting of Yaritji Young of Tjala Arts (above):
We are all kangaru pulka: big sisters to the young women. Like in the Seven Sisters story we must teach and protect our young sisters
This is so much more powerful when the story and its morality is enacted in so many different ways. For, as Tjunkara Ken, Yaritiji Young's sister, has said:
I hold my father's story. I hold my mothers' story... (it) doesn't come out of paper or out of a book. It's coming out of the ground here. (My way) is different. It comes from the inside out.
How will each of us make female dignity a grounded matter of 'inside out'? Such stories also of course have resonance in western traditions, not least in the Bible, where similar comparisons might be drawn to tricksters like Jacob and powerful women such as Deborah and Judith. Indeed, like any living and enduring spiritual stream, despite its deeply patriarchal traditional limitations, Christianity also has its own share of female stories of wisdom, resilience and empowerment. How often however do we hear, sing, dance and embody them, and create new ones? As, so painfully slowly, we come to terms with the damaged feminine in our culture - and above all with the brutal realities and 'hidden' denied abuse of so many women's lives - it is surely time, further prompted by the sisters and the ancient wisdom of the Songlines, to tell and live them.
When you think of the country you love, how do you sing, dance, tell its story? Does it, for example, look anything like this painting (pic to the left)? In a recent article - how do we get out of this mess - George Monbiot rightly identified the underlying narratives of our lives as major determinants of history, politics and healthy societies. This is at the core of so many of our contemporary conflicts and tensions. For it is by the stories we live, the songs we sing, the moves we make, that we shape our world and are shaped. Monbiot correctly observes that this is why some will act in ways which are actually self-destructive and even resist change which is in their best interest. This helps us better to understand challenges like the Brexit vote, the political success of Donald Trump, and the obstinate blinkers of some farmers and rural people to the realities of climate change. Outlining both the power, and the weaknesses, of two major political-economic stories (the Keynesian and 'free market'/monetarist paradigms) within which the 'developed' world has lived for the last few decades, he pleads for a new story: a story grounded in the environment, the affirmation of human community, and the creation of volunteer networks, mutual help, and advocacy. So how do we create this story? My sense (shared I'm sure by George Monbiot) is that it needs a holistic approach, which weaves together the creative insights and capabilities of our current age with existing wisdom from wherever it can be found, not least from Indigenous peoples and the best of our religious-spiritual traditions...
Jo Inkpin is an Anglican priest serving as Minister of Pitt St Uniting Church in Sydney, a trans woman, theologian & justice activist. These are some of my reflections on life, spirit, and the search for peace, justice & sustainable creation.