Tired’ (with rage) writes Anna Spargo-Ryan - full article here - and that is one way of putting it! Is there a problem with men’s ears and hearts? Day follows day in the revealing of our deep cultural violent sexism and still no action, other than deflections?
“We don’t want the government to host a morning tea, catered by women, organised by women. We don’t want their 30-second video patronising our womanhood. We need them to come out loudly against sexual assault. We want policies to protect women from harm, to support their recovery and keep them safe. We want action against a nation-wide culture that says women are liars. Take over the burden of carrying blame.”
It’s much more than feeling tired of course, but Anna is right: our federal government’s reactions to the endemic truths currently courageously articulated and focused by Brittany Higgins, Grace Tame, Chanel Contos and others known and unknown are pitiful. And - yes indeed! - Church leaders need to look at their/our culture, language, and actions too...
I’ve been happily reminded recently that, in moving to share ministry with Pitt St Uniting Church in Sydney, I follow in a few footsteps of one of my great heroes, Maude Royden. A leading first wave feminist, internationalist and peace advocate, among many other things, Maude started the Anglican ordination of women campaign. Prevented from preaching, she then became an assistant minister at the prominent City Temple (Congregationalist church) and was also the first Anglican woman to lead a church (an ecumenical fellowship she founded at The Guildhouse, also in London). In her worldwide speaker tours, she drew huge attention, with massive numbers - including packing Pitt St way over capacity, with lines and lines of people locked out down the street (a similar feature repeated at the one Anglican Church in Sydney which had the courage to invite her).
Laura Rademaker provides a very good reflection on Maude’s impact on Australia (particularly in the challenge she was to existing ideas of sex and women) - check out ‘Sex in the pulpit: the feminist preacher for Aussie flappers’ on the Australian Women’s History Network webpage, and her fuller article ‘Religion for the Modern Girl’’ in Australian Feminist Studies (2016)).
My own online tribute to Maude is in the link here, picking up on one of my favourite passages in Maude’s writings, where she speaks of ‘the great adventure’ of Christ and faith, contrasting so starkly with the deathly ‘activity’ which often passes for life in churches. To follow Christ is the invitation, she said, but:
“Would it be safe? No, of course it would not be safe… we are afraid of such risks, afraid of such a terrible victory (as Christ’s)… we treat the Church as one long accustomed to ill-health. Do not open the window! Do not bang the door! You cannot take risks with the invalid. Step lightly, speak softly, at any moment the poor thing might die!”
We, like Maude, can do do much better - in our lives, our world, and even in churches :-)
Wow! It was quite a roller-coaster ride of a farewell Eucharist last Sunday - with such wonderful people at Milton Anglicans that it is so hard to leave behind...
As we are clearing out accumulated possessions for our impending move, we are finding some wonderful memory treasures. Here is one beautiful reminder of creative Durham days (and there were many) - this from a wonderful ecumenical/community event in Crook (geographical centre of County Durham). I still love this liturgy (and the people who went with it ), and I suspect yours truly must have had a hand in it (not least with those readings from Red Letter Theatre and Josephine Butler - that’s a give away!). I’d forgotten that Jan Berry song (‘Song for a Journey), but it (and the final prayer ‘What can one person do?’) seem pretty much on the ball right now:
Shake me out of dull religion
Leaving forms and fears behind:
Give me trust to travel freely,
Spirit-searching not confined.
I am delighted by friends and colleagues who have been working on a project for May-June 2021 entilted From Biscuits to Bishop: Changing women, changing church - A celebration of Anglican women’s history in Brisbane Diocese. From Biscuits to Bishop is a multimedia exhibition celebrating Anglican women . The digital exhibition, to be launched in mid-2021, will be complemented by a display of objects and memorabilia in St John’s Cathedral Brisbane...
It is funny how certain books jump out at you at particular times - and this one (Everyday Passions: A Conversation on Living) leapt at me today as I reflected on All Saints and the communion of the just/justified. For the author, Dorothy McRae-McMahon, has always been incredibly high on my list of Australian Christian heroes and this liturgy (the first page below) seems particularly appropriate right now. I’ve only met Dorothy in person once - sharing a platform in the Blue Mountains a number of years ago - and she seemed quite surprised then when I said she had been such an inspiration to me. She shared her wisdom in a NSW ecumenical project on prayer I once organised too (albeit she was then too ill to attend the key event in Sydney) and my involvement of her brought swift reaction from Sydney Anglican leadership - evidently they felt prayer was thereby made invalid, and ‘no Sydney Anglican will be part of the project if Dorothy McRae-McMahon is involved’ (as it happens, as on a number of other things, they proved wrong on that!). All of that kind of thing most certainly shouldn’t dent our courage for love and living truthfully. For as Dorothy wrote in this book (in the chapter ‘Living Life Under Attack’):
‘I would never choose to live under attack, but I will never regret living in ways which sometimes make it almost inevitable... To live in a way that produces attack in order to live more truly (as against choosing martyrdom) is to live with passion.’
The book ends with Marge Piercy’s poem ‘For Strong Women’ and Dorothy’s final words: ‘Living is, indeed, an everyday passion and “strong is what we make each other”’.
With blessings and solidarity to those saints who live into wholeness and inspire others this All Saints-tide.
How do you feel about clerical collars, often known as dog collars? I was asked recently for a head and shoulders photo for the State Library of Queensland's Dangerous Women project in which I have been involved. After a little consideration, I sent the photo above. For in that circumstance, my priestly status is highly significant. For, even before we come to my transgender journey, it is still strange and/or enlightening for some to realise that female clergy have been around for a little while now. It is therefore sometimes important for women to wear their collars, in a similar way to that in which Dr. Julia Baird rightly encourages women with doctorates and/or other qualifications not to hide them, as we can be quite sure that many 'lesser' men will not hesitate to use whatever symbols of achievement and influence they have (see further Julia's wonderful book Phosphorence chapter 12 'Own Your Authority'). On the other hand however I do feel ambivalent about the clerical collar and what it sometimes represents..
I was thrilled recently to meet with the amazing (Snaggletooth Productions) duo Erin McBean and Holly Zwalf (also, among other things, coordinator of Rainbow Families Queensland). They were interviewing me for the State Library of Queensland's Dangerous Women podcast project, which will highlight six women's stories. I am honoured to be one of these, recognising that for some I am 'dangerous', though I have never sought any such epithet, and I hope that something in my journey may help others in shining creatively. This is certainly the aim of the State Library. As has been shared with me:
'All of our Dangerous Women are compelling, bold, determined and dynamic and we hope that in sharing their stories they will empower listeners to share a deeper understanding of themselves and Queensland. We have selected stories of three women from our heritage collections, and two women with contemporary aspects, yourself included. We have employed the expertise of Snaggletooth Productions, an all female production company to produce and host the podcast'.
I hope to share more about the project as a whole as it unfolds. There are three key features however which have emerged for me which have strengthened my views (born of my life experience and my studies of women's history) of how 'dangerous women' who deliberately create positive change, or unwittingly represent positive change, come to flourish...
I'm so pleased for the talented Gympie photographer Charmaine Lyons that her first Women United exhibition was able to be held recently, at Gympie Regional Library, before COVID-19 spread here. The project has been focusing on sharing the photos, and stories, of 200 'ordinary, extraordinary' women from all walks of life in regional, or regionally connected, Australia. It was motivated by reaction to the White House photograph featuring President Trump signing off on an US 'global gag' on support for women's reproductive rights - original story here - and by the Women's Marches in the USA and worldwide. Charmaine's vision is about affirming those working for, and living out, a more just, sustainable and flourishing society and world for all - which is something we sure need to ponder and work for more actively in the future as the weaknesses of our profit-before-people economy & privilege-for-some culture are so exposed by COVID-19 right now. A book and - in time - more exhibitions elsewhere will follow (part of the positive creative expression which hopefully will be nurtured and curated in this bunkered dread season). Most of all however I just love the affirmation of diversity coming from regional Queensland (often despised elsewhere in Australia). It is such an encouraging example of empowerment wherever we may be: if Gympie can do this, why not elsewhere? With blessings to all creative spirits 🙏❤️ Here’s an 'official' film interview (Women United - an interview with Charmaine Lyons), hosted on Vimeo - by another talented Gympie creative spirit (Jazmyn of Jazmyn Produces) - sharing some of the aims, inspiration and photos (including one of me if you’re very attentive!).
Where do you find feminist religious inspiration when you need it? Sometimes the answer is hidden in plain sight. So it was for me at school. For I was involved with a number of social transformations at my local secondary school, including being part of the first year of the historic admission of females. This not only seemed a self-evident justice to me, but it was also a personal saving grace. Indeed, in my final two years, I was part of otherwise all-female classes for most of my subjects, bar one other male assigned student (in religious studies). Also, to the initial chagrin of some, our 19th century grammar school (founded in 1863 out of the medieval charity created by Thomas De Aston, a 13th century monk) two years later finally fully joined the modern world as a 'comprehensive' school: merging with the local 'secondary modern' school, whose pupils were traditionally divided from us by the selective examination known as the '11 plus'. At which point school 'houses' suddenly appeared, under the names of the well-known local Lincolnshire worthies Tennyson and Wesley; the explorers (Joseph) Banks and (Matthew) Flinders (actually much better known in Australia than in their homeland); the fearsome Hereward (famed indigenous resistance fighter against the Normans), and, more mysteriously, (Anne) Askew. Happily I was placed in her house, but who was this, to us, unknown woman? Sadly, I never really found out then. On asking, apart from guessing that she was the 'token' woman in the list, we were told she was martyred at the Reformation. 'Great', said most of the boys: 'not only do we not get to be associated with a fighter like Hereward, or at least an intrepid explorer like Flinders, but we get landed with a woman, and one whose claim to fame is being slaughtered.' Even the girls had sympathy with the latter affirmation. Yet, had we been given a richer explanation, we might have had a very different viewpoint. For, of all the Lincolnshire icons, it is arguable that Anne Askew was the greatest of all. She was not just a type of freedom fighter (like Hereward), an intrepid adventurer of the new (like Flinders and Banks), a poet (like Tennyson), or a model of renewing spirituality and freedom (like (the) Wesley(s)). She was all these in one, and she did it all as a woman to boot...
Jo Inkpin an Anglican priest, trans woman, theologian & justice activist. These are some of my reflections on life, spirit, and the search for peace, justice & sustainable creation.