Anyone whom Adolf Hitler put a large portrait of prominently over his desk must have a dark side. This is certainly true of Frederick II of Prussia, commonly known as Frederick 'the Great'. A brilliant military general, he took full advantage of his father's consolidation of Prussian military power and became a potent symbol of German militarism, administrative efficiency, duty and enhancement of glory. Among his worst aspects was his treatment of Poland. Indeed, among his the oppressions which resonated with later Nazism, he boasted that he would gradually rid the world of Poles.
The other side of Frederick was his so-called 'enlightened absolutism', which first drew me to him when I studied the 18th century 'enlightened despots' at school. Fascinated by radical thought and a leading sponsor of music, fine architectural buildings and the arts, Frederick was, for example, a notable patron of Voltaire. In some respects he also offered significant religious toleration within his realm, albeit with disdain for genuine religious faith, particular acts of active opposition to Polish Catholicism and with little real time for Jews. Whilst historians argue over his sexuality, with women certainly finding little place in his world, there may be some grounds for seeing positive aspects of homo-erotic life, albeit distorted by power. Aspects of his governance were also certainly forward-thinking, including sponsorship of immigration, recognition of the new United States of America and of the rights of prisoners of war, criticism of hunting, and protection of some plant life.
The ambiguity of Frederick the Great, on so many levels, is partly explained by his context and upbringing, not least the brutality of his father's treatment of him and the deep-seated aggressive insecurities of Prussia as a whole, consequent on the bitter experiences of the Thirty Years War and other catastrophes. Understandable, if typically one-sided and distorted, Nazi enthusiasm for him has meant that both Eastern and Western Germans have subsequently been wary of his legacy. Yet he remains, in various senses, a fascinating figure, both as a symbol of the bad and good in German history itself, and of the human character.
One of my main highlights of visiting Berlin this year was the Kathe Kollwitz museum. An artistic genius, Kollwitz' life and work are inspiring examples of the German soul. She was an outstanding pioneer for women, with a profound social conscience and identity. A committed socialist and pacifist, who shared the life of the poor with her doctor husband in Berlin's struggles, not for nothing was she commissioned to create a powerful memorial to the murdered Karl Liebknecht. Tragically, her compassion for the victims of war and oppression and the strength of poor women, especially mothers, was embodied in her own sufferings over the loss of her son in the first world war. Removed from her leading role in German arts and culture by the Nazis, she was eventually evacuated from Berlin in 1943 as foreign bombs wreaked violence, including, soon, the destruction of her own family apartment with its photographs and mementos of loved ones. A week later her son's home was also destroyed during a bombing raid. Kollwitz tellingly wrote in her journal: "every war already carries within it the war which will answer it. Every war is answered by a new war, until everything, everything is smashed... That is why I am so wholeheartedly for a radical end to this madness, and why my only hope is in a world socialism... Pacifism simply is not a matter of calm looking on; it is work, hard work." She died in 1945, 16 days before the end of the Second World War. Yet her transcendent art and inspiring hope, in and beyond suffering. lives on.
Jo Inkpin is an Anglican priest serving as Minister of Pitt St Uniting Church in Sydney, a trans woman, theologian & justice activist. These are some of my reflections on life, spirit, and the search for peace, justice & sustainable creation.