In Whitechapel Gallery at present there is a striking multimedia installation. Created by the French-Algerian artist Kader Attia, it uses the biblical story of Jacob's Ladder to address mind, memory, and meaning in our postmodern world. Indeed, it is is appropriately sited in the former Whitechapel Library, a significant 'crucible of British Modernism'. It explores what Michel Foucault called our human 'archaeology of knowledge': within which we live, move, shape and are shaped, whether we like it or not. Wandering through London, as I was on a brief transit visit, I had found myself wandering through features of my own life's memory and meaning and that of our wider world. Attia's work spoke powerfully of ways to engage fruitfully, not least through his concept of 'repair'.
Jo Inkpin an Anglican priest, trans woman, theologian and justice activist. These are some of my reflections on life, spirit, and the search for peace, justice and sustainable creation.